Gorton Philharmonic Orchestra
  • Saturday 8 July 2023, 7:30pm
  • The Stoller Hall
  • £15 - £5.50
Book tickets

Gorton Philharmonic end their 2022/23 concert season with a programme of America-related works by Delius, Rachmaninov and Dvořák. The concert opens, appropriately enough, with Daybreak from Delius’s popular Florida Suite, composed after Englishman Delius had ended a two-year stint as manager of an orange grove in the U.S. state. Gorton Philharmonic then welcomes back pianist Daniel Ropota, to perform Rachmaninov’s beautiful and enduring Piano Concerto No.2 in C minor – one of the most popular classical works ever written, and composed in 1901, seventeen years before he emigrated to the U.S. The orchestra’s 2022/2023 season ends with Dvořák’s most well-known and much-loved work; his Symphony No.9 in E minor ‘From the New World’, written 130 years ago during a three-year stay in America where he was the director of the National Conservatory of Music of America. 

 

Gorton Philharmonic Orchestra
  • The Stoller Hall
  • £15 - £5.50

Performers

Performers

Juan Ortuño conductor
John Resek leader
Daniel Ropota piano

Programme

Programme

DELIUS Florida Suite
RACHMANINOV Piano Concerto No.2 in C minor
DVOŘÁK Symphony No.9 in E minor ‘From the New World’

Gorton Philharmonic end their 2022/23 concert season with a programme of America-related works by Delius, Rachmaninov and Dvořák. The concert opens, appropriately enough, with Daybreak from Delius’s popular Florida Suite, composed after Englishman Delius had ended a two-year stint as manager of an orange grove in the U.S. state. Gorton Philharmonic then welcomes back pianist Daniel Ropota, to perform Rachmaninov’s beautiful and enduring Piano Concerto No.2 in C minor – one of the most popular classical works ever written, and composed in 1901, seventeen years before he emigrated to the U.S. The orchestra’s 2022/2023 season ends with Dvořák’s most well-known and much-loved work; his Symphony No.9 in E minor ‘From the New World’, written 130 years ago during a three-year stay in America where he was the director of the National Conservatory of Music of America. 

 

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